AWARDS & PRESS
Acknowledgements, Nominations, & Awards
Broadway Women's Fund 2021 "Women to Watch On Broadway"
2020 Chicago "Jeff" Award Nomination for Outstanding Original Music for a Play
Bernhardt/Hamlet at Goodman Theatre
2020 BroadwayWorld Nashville Award for Outstanding Sound Design of the Decade
Mockingbird at Nashville Children's Theatre
2018 Nashville "The First Night" Award for Outstanding Sound Design
Mockingbird at Nashville Children's Theatre
2017 San Diego Theatre Critics "Craig Noel Award" for Outstanding Sound Design
Wild Goose Dreams at La Jolla Playhouse
Broadway Women's Fund 2021 "Women to Watch On Broadway"
2020 Chicago "Jeff" Award Nomination for Outstanding Original Music for a Play
Bernhardt/Hamlet at Goodman Theatre
2020 BroadwayWorld Nashville Award for Outstanding Sound Design of the Decade
Mockingbird at Nashville Children's Theatre
2018 Nashville "The First Night" Award for Outstanding Sound Design
Mockingbird at Nashville Children's Theatre
2017 San Diego Theatre Critics "Craig Noel Award" for Outstanding Sound Design
Wild Goose Dreams at La Jolla Playhouse
Press
Bernhardt/Hamlet - Goodman Theatre
"Joanna Lynne Staub's sound design and original music are nothing short of perfection" - Windy City Times
How to Catch Creation - Goodman Theatre
"The technical aspects of this production as always are spot on perfect... set, costumes, lighting, sound, and
original music all add to the wonder of this theatrical experience. And it is just that." - Around the Town Chicago
Mother of the Maid - The Public Theatre
"Alexander Sovronsky & Joanna Lynne Staub's sound design summon a world in which
people are unavoidably subject to the whims of nature" - The New York Times
Mockingbird - Nashville Children's Theatre
"Joanna Lynne Staub's sound design creates an amazing ambient for the play that surrounds and envelops the audience,
ensuring the the impact of Mockingbird is strongly felt" - BroadwayWorld.com
Bernhardt/Hamlet - Goodman Theatre
"Joanna Lynne Staub's sound design and original music are nothing short of perfection" - Windy City Times
How to Catch Creation - Goodman Theatre
"The technical aspects of this production as always are spot on perfect... set, costumes, lighting, sound, and
original music all add to the wonder of this theatrical experience. And it is just that." - Around the Town Chicago
Mother of the Maid - The Public Theatre
"Alexander Sovronsky & Joanna Lynne Staub's sound design summon a world in which
people are unavoidably subject to the whims of nature" - The New York Times
Mockingbird - Nashville Children's Theatre
"Joanna Lynne Staub's sound design creates an amazing ambient for the play that surrounds and envelops the audience,
ensuring the the impact of Mockingbird is strongly felt" - BroadwayWorld.com
Features
Dramatics Interview
"Reflections of Six Leading Women Sound Designers" - LINK HERE
The Backstage Creative Podcast Interview - LINK HERE
TSDCA Interview - LINK HERE
The Color Purple - Broadway
Lighting & Sound International Feature - LINK HERE
Pro Sound Web Feature - LINK HERE
The Curious Incident of the Dog in the Night-Time - Broadway
Lighting & Sound International Feature - LINK HERE
The Hunchback of Notre Dame - Disney Theatrical
Stage Directions Feature - LINK HERE
Dramatics Interview
"Reflections of Six Leading Women Sound Designers" - LINK HERE
The Backstage Creative Podcast Interview - LINK HERE
TSDCA Interview - LINK HERE
The Color Purple - Broadway
Lighting & Sound International Feature - LINK HERE
Pro Sound Web Feature - LINK HERE
The Curious Incident of the Dog in the Night-Time - Broadway
Lighting & Sound International Feature - LINK HERE
The Hunchback of Notre Dame - Disney Theatrical
Stage Directions Feature - LINK HERE